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“Sava Dobroplodni” Regional Library presented a book of Teodora Dimova
Teodora
Dimova was born in
1960 in
"Fury"
was her first
play and it won in 1987
the prize of a competition of the Bulgarian National Radio.
It was published
in the collection “New Bulgarian Drama” in
1999. Then
followed her plays
"Room
№ 48", "Erikepayos",
"Kalvados,
my friend",
"Igrila",
"The Plateau",
"Neda and the
dogs",
“The Bitch”
/which was
performed more than 50 times on a stage/,
“Snake’s
Milk ”,
“Lovers”
/performed on the
National Theatre’s stage/
and
“The
Invisible Paths of Forgiveness”.
Her play
“Stopper” won in 2000
First prize on
the review of New Bulgarian Drama in
The first novel
of Teodora Dimova “Emine” was published in 2001.
The book is a
part of the new fiction series for debuts
"Gambits"
of “Janet-45”
publishing house. Svetlozar Igov writes about the novel
"Emine":
"If the
capacity of a book for asking us questions is evidence about its importance,
the debut novel
of Teodora Dimova is a successful one;
at least for
those who still read Bulgarian literature
taking part this
way in its writing."
The
second published novel of Teodora Dimova -
"The
Mothers", won
the grand prize for 2004
of the literary competition "Development"
in
category new Bulgarian novel.
It
was published in 2005.
It
won the Grand prize for Eastern-European literature in June
2006, awarded
by an international jury in Wien and was also distinguished by the
Association of Bulgarian writers.
The
newest book of the much talked about Teodora Dimova is the novel
“Adriana”. The
book is sequel of the unfinished untitled Dimitar Dimov’s novel.
But,
according to the author itself,
this
is emphatically not a sequel of her father’s novel,
because
he would never write it this way.
“...Immediately
after I finished
the
novel “The
Mothers”, confesses
Dimova, Adriana
took possession of me so much
that
I started imagining her visually...It
was a hard work to do”.
During
the premier of the novel in
The
novel impresses with its philosophical depth in searching for the answer of
the question about the meaning of life,
about
the illusion, late
insights, meeting
of death. “Adriana”
is
a novel of
memory
not only about different state of life,
but
most of all – memory
about the specific primary unity,
a
nostalgic and regressive novel.
People
who attended the meeting with Teodora Dimova
– students,
teachers,
lawyers,
writers,
library
specialists,
connoisseurs
of
prose of different ages and professions,
asked
various questions.
Some
of them dared to asked Dimova if she feels the pressure of her father’s
name as a writer;
to
others she described how exactly her writing process goes.
In
harmony with the meeting she read to the audience an essay that she wrote–
a
confession on the topic. Teodora Dimova paid attention to the mission of the
writers and all the artists
– to
speak about the problems,
to
alarm in their own way politics and institutions responsible for solving
them.
To
her fans Dimova confessed that the novel
“Adriana”
is
“her
declaration of love”
to
her father Dimitar Dimov.
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